![]() Serly’s own Rhapsody for Viola and Orchestra dwells somewhat within Bartók’s shadow, but is nevertheless a skilful and elaborate work with a rollocking finale. Almost immediately it was recognized as one of the major contributions to the small literature of concertos for the viola, and has been a cornerstone of the instrument’s repertoire ever since. William Primrose (who edited the viola part himself) was able to premiere Serly’s recension of the music on 2 December 1949, with the Minneapolis Symphony Orchestra conducted by Antal Dorati. Serly was Bartók’s most constant and trusted Hungarian musician-friend in his last years in the USA. ![]() Of the three Hungarian works for viola and orchestra on this latest release, the best-known is Bartók’s viola concerto, completed after the composer’s death by Tibor Serly. Together with Hyperion he is recording all of the seminal twentieth-century works for the viola. The British viola player Lawrence Power continues to be acclaimed as one of the greatest performers of today.
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